I am not as I once was. They have done this to me, broken me open and torn out my heart. I do not know who I am anymore.
I must try to remember.
These are the first words of The Hundred Thousand Kingdoms by N.K. Jemisin, book one of the Inheritance Trilogy. From this enigmatic beginning the story unfolds in a way that is both disjointed and arrestingly personal. In most books narrated in the first person, the narrator tells us what happened to them without mentioning any bearing that it has on them now– they relate the events of their story, occasionally offering insight, but never making it clear what has happened since it ended or why they are offering it. Yeine proffers her tale in tantalizing bits and pieces, mixed up and out of order, interrupted by distracted tangents that support the assumption that she is looking back on all of this with regret. She may be talking to the reader, or simply to herself, but from this jumble she draws pieces that she draws together more and more tightly, right up until the dramatic finish. I loved Jemisin’s bizarre but highly effective style.
But I’ve gotten a bit out of order myself– it’s rather essential to mention what it is the story is about, wouldn’t you say? I’ll see if I can do it justice.
Yeine Darr is an outlander from the barbarian north of the empire that is the Hundred Thousand Kingdoms. When her mother dies under mysterious circumstances, she is summoned to the royal city of Sky, where, to her shock, she is named one of the heirs to the king’s throne. Despite the fact that Yeine would rather go home and deal with the monarchy from afar, ruling her own people as best she can, she is quickly drawn into a tangled web of conspiracy and lies which centers around the relationship between the Arameri (the ruling family) and the gods, who the Arameri long ago pulled down from their pedestals and enslaved, and who are every bit as terrifying as, but in ways more human than, Yeine’s royal relations. What Yeine cannot puzzle out is exactly why the Arameri would be interested in her— let alone the gods. Only two things are certain in the floating city of light and secrets– Yeine is held out of her depth by those around her, and many of them want her dead.
This book contains explicit sexual content.