August 4, 2010
Poison by Sara Poole was released on August 3rd, 2010 by St. Martin’s Griffin, an imprint of St. Martin’s Press (Paperback, $14.99, 416 pages; also available in Kindle format).
Francesca Giordano knows a little something about working in the world of men– she is a poisoner in the employ of the Cardinal Rodrigo Borgia, one of the most powerful men in Rome. It is her task not only to arrange deaths for Borgia’s enemies, but to protect the family she serves from the poisoners of others. She does all of this with a single-minded drive which cannot be dispelled even by questions about sin and her stained soul, something quite impressive for a denizen of the Catholic Church’s city. Her ultimate goal? Revenge for the murder of her father, who was Borgia’s poisoner before her. This private goal leads Francesca into a tangled web of very public lies, intrigue, and looming slaughter, a web which she must help to untangle if she has any hope for peace with who and what she is. Five stars.
May 31, 2010
I have a particular habit which many people find, well, offputting. I carry a small but distinctly solid hammer in my purse, which comes everywhere with me. I could go through my whole rationale to prove that that doesn’t make me a crazy person– after all, who wants to mug the psycho bitch with the hand tools? –but really, all that is relevant here is that the practice was inspired by a heroine who is very uniquely herself and like no other character I have ever had the pleasure of reading: Lisbeth Salander.
I have been waiting to write this post for a long time.
I am by no means alone in praising the Millenium Trilogy; indeed, the late Steig Larsson has gained international acclaim for his series, which is completed by the newly released The Girl Who Kicked the Hornet’s Nest. His story is famous: shortly before his unexpected death at the age of 50 due to a massive heart attack, Larsson turned in three complete manuscripts which he never saw published. Unfortunately for the world, he didn’t live to finish the other books in the series, of which there were to be an eventual ten. He left behind three quarters of a completed fourth volume, and synopses of fifth and sixth books may also exist. As of this May, the Millenium Trilogy has sold a total of some 27 million copies worldwide.
I could go on about how Larsson’s work highlights and condemns a broad spectrum of anti-feminist thought (in its original Swedish release, The Girl With the Dragon Tattoo was titled Män som hatar kvinnor, or Men Who Hate Women). I could talk about how great it is to see a guy writing about a strong female character who isn’t grossly oversexualized and doesn’t turn into a ninny at the crucial moment and need saving. It’d be true; I do admire Larsson for that. But what I really want to gush about is Lisbeth Salander. Salander Salander Salander. When asked by a friend how I liked The Girl With the Dragon Tattoo, my only complaint was that it didn’t have enough Salander; that one focused mainly on Mikael Blomkvist. This unfortunate condition was remedied in the second volume, The Girl Who Played With Fire. Don’t get me wrong– I Read the rest of this entry »
May 28, 2010
I am not as I once was. They have done this to me, broken me open and torn out my heart. I do not know who I am anymore.
I must try to remember.
These are the first words of The Hundred Thousand Kingdoms by N.K. Jemisin, book one of the Inheritance Trilogy. From this enigmatic beginning the story unfolds in a way that is both disjointed and arrestingly personal. In most books narrated in the first person, the narrator tells us what happened to them without mentioning any bearing that it has on them now– they relate the events of their story, occasionally offering insight, but never making it clear what has happened since it ended or why they are offering it. Yeine proffers her tale in tantalizing bits and pieces, mixed up and out of order, interrupted by distracted tangents that support the assumption that she is looking back on all of this with regret. She may be talking to the reader, or simply to herself, but from this jumble she draws pieces that she draws together more and more tightly, right up until the dramatic finish. I loved Jemisin’s bizarre but highly effective style.
But I’ve gotten a bit out of order myself– it’s rather essential to mention what it is the story is about, wouldn’t you say? I’ll see if I can do it justice.
Yeine Darr is an outlander from the barbarian north of the empire that is the Hundred Thousand Kingdoms. When her mother dies under mysterious circumstances, she is summoned to the royal city of Sky, where, to her shock, she is named one of the heirs to the king’s throne. Despite the fact that Yeine would rather go home and deal with the monarchy from afar, ruling her own people as best she can, she is quickly drawn into a tangled web of conspiracy and lies which centers around the relationship between the Arameri (the ruling family) and the gods, who the Arameri long ago pulled down from their pedestals and enslaved, and who are every bit as terrifying as, but in ways more human than, Yeine’s royal relations. What Yeine cannot puzzle out is exactly why the Arameri would be interested in her— let alone the gods. Only two things are certain in the floating city of light and secrets– Yeine is held out of her depth by those around her, and many of them want her dead.
This book contains explicit sexual content.